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Sand Horizon belongs to the Dust and Silence series, where earth and time are transformed into sculptural presence. Handmade in recycled paper clay, its surface layers of sand, soil, and deep char recall both ancient artifacts and silent horizons — a memory of civilizations and the raw persistence of nature.
The vessel’s spherical form embodies the wabi-sabi spirit of imperfection, stillness, and transience. Its textured skin seems to breathe with… the rhythm of the earth, holding space for silence as much as for form.
As a statement piece, Sand Horizon creates a dialogue with architecture and atmosphere — equally at home in a contemplative interior or as a timeless accent within modern design. A work of resilience, memory, and sustainable artistry.
I was born in a city that no longer exists as it was. Mariupol — once sea and sand, now ash and absence. Yet even what disappears leaves its trace. That trace is what I follow. I live now in Zurich, but my hands still carry the earth of elsewhere. I grind straw, soil, bark, ash into matter that resists beauty. These are not materials chosen—they are what remains. I am close to Arte Povera, because in the poverty of matter lies genius: the truth that nothing is too small to hold memory. I am close to wabi-sabi, because time itself writes through imperfection, through cracks, through silence. My vessels and wall pieces are not objects. They are witnesses. Companions of dust and silence. Fragile, yet enduring. They stay when all else is gone.