Ginger “Early work”
Acrylic on Canvas
31x24in
$2,060
Framing
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NIENKE VISSCHER
Netherlands
Related collection
Exhibition Voorthuizen straalt - NIENKE VISSCHER
2 pieces
Artist highlights
- Featured in gallery curations
- Works on commission
Discover the creation in interiors
Other artworks by NIENKE VISSCHER
Artwork details
- Medium : Acrylic, Gold leaf on Canvas
- Other details : Artwork on wood. Ready to hang. Framing on request.
- Dimensions : 19.7x19.7in
About this artwork
Frida Kahlo, Ode to Resilience
Adversity and brilliance, inseparable.
Frida Kahlo endured illness, pain, and thirty-three operations, yet rose as a defining artistic voice.
Near-black tones hold the weight of her suffering.
Hand-applied gold reveals what endured, light beyond fracture.
Not an image, but a presence.
Unyielding. Unforgotten.
Currently attracting strong collector interest.
Adversity and brilliance, inseparable.
Frida Kahlo endured illness, pain, and thirty-three operations, yet rose as a defining artistic voice.
Near-black tones hold the weight of her suffering.
Hand-applied gold reveals what endured, light beyond fracture.
Not an image, but a presence.
Unyielding. Unforgotten.
Currently attracting strong collector interest.
NIENKE VISSCHER
Netherlands
Credentials
- Featured in gallery curations
- Works on commission
I spent twenty years building a business. Then, in the stillness that followed, I began to paint.
My work is rooted in Christian faith, not as a theme, but as a foundation. I believe that brokenness is not the end of a story. It is where the most honest part begins.
The craquelure in my paintings is not manufactured. It grows. I build up layers until they fracture organically and unpredictably. Then I paint each crack by hand with Lascaux gold paint, one by one. No two surfaces are ever the same.
Gold is not decoration. It is the light that enters through brokenness.
My work is rooted in Christian faith, not as a theme, but as a foundation. I believe that brokenness is not the end of a story. It is where the most honest part begins.
The craquelure in my paintings is not manufactured. It grows. I build up layers until they fracture organically and unpredictably. Then I paint each crack by hand with Lascaux gold paint, one by one. No two surfaces are ever the same.
Gold is not decoration. It is the light that enters through brokenness.
NIENKE VISSCHER
Frida Kahlo — Ode to Resilience
$2,990
