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Patrick Piccinelli
Switzerland
Artist highlights
- International Exposure
- Covered by the Press
- Favorited by galleries
- Featured in gallery curations
- Works on commission
Discover the creation in interiors
Other artworks by Patrick Piccinelli
Artwork details
- Medium : Acrylic, Collage on Paper
- Framing : Framing on request
- Dimensions : 15.7x15.7in
About this artwork
This artwork on Arches paper is inspired by the title "Quiet Times" by Ron Carter.
The work uses only three colors: anthracite gray, off-white, and an intense sunny yellow. This perfectly reflects the approach of the Third Plane trio: Ron Carter on double bass, Herbie Hancock on piano, and Tony Williams on drums. Three voices, nothing more. No frills.
The Penguin Guide to Jazz hails the album as "Carter's most impressive performance under his own… name." This tension between formal rigor and spontaneous impulse is what I'm looking for: the geometry holds, but the painter's hand remains present.
My work is dated 2026, with my signature — like a record that is signed before being pressed. A work that knows itself to be an object, that assumes its physical existence in the world, as the vinyl from Milestone Records did in 1977.
The work uses only three colors: anthracite gray, off-white, and an intense sunny yellow. This perfectly reflects the approach of the Third Plane trio: Ron Carter on double bass, Herbie Hancock on piano, and Tony Williams on drums. Three voices, nothing more. No frills.
The Penguin Guide to Jazz hails the album as "Carter's most impressive performance under his own… name." This tension between formal rigor and spontaneous impulse is what I'm looking for: the geometry holds, but the painter's hand remains present.
My work is dated 2026, with my signature — like a record that is signed before being pressed. A work that knows itself to be an object, that assumes its physical existence in the world, as the vinyl from Milestone Records did in 1977.
Patrick Piccinelli
Switzerland
Credentials
- International Exposure
- Covered by the Press
- Favorited by galleries
- Featured in gallery curations
- Works on commission
« My research takes the direction of "parasitic" minimalism. I claim the expression of a rigorous geometric structure endangered by the soft and hazardous trace of the brush. »
Originally from the tranquil scenery of Switzerland, Patrick Piccinelli set forth on an enriching academic journey that took him to the distinguished corridors of ECAL (University of Art and Design, Lausanne, Switzerland), a stronghold of artistic brilliance on the global frontier. The respected tradition of flawless typography for which Switzerland is famed, coupled with the deep-seated influences of Swiss graphic design, known for its austere, minimalistic, and refined aesthetics, significantly guided Piccinelli’s artistic path. His palette is firmly rooted in geometric minimalism, a stylistic reverberation reminiscent of the illustrious “Zürich movement.” This era of artistic zeal was pioneered by notable figures such as Max Bill, Richard Paul Lohse, and Verena Loewenberg, luminaries who were the frontrunners of geometric or constructed artistry. His works have recently been acquired by collectors in the United States, Japan and Europe.
They bought an artwork from this artist
"I'm so happy I chose Patrick's work, it's beautiful, even more so when I had it in front of me. "
An Art Lover, purchase made in October 2023: ""The Beauty Of Wood In Ashes"", Acrylic, Spray Paint on Paper , 19.7x25.6in
Patrick Piccinelli
"Round About Midnight"
$2,230
