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When I work I will always make a few smaller test prints. Here I decide on the amount of manipulation I do to my images, this can range from the scratching on the negatives, which tones I use and whether I need to add colour to the print.
This is the initial print I used to decide on whether to use paint.
"Vanitas" is a captivating piece from my recent series, masterfully blending photography and painting. This original artwork begins with photographs… of artificial flowers and wildlife. The image is meticulously developed as a silver gelatin print, then artfully transformed through bleaching, spot toning, and hand-painting. This unique process ensures that each print is distinct, making your artwork truly one-of-a-kind.
Paul Gadd is a British photographer based in Seoul, deeply rooted in classical film photography and darkroom printing, with extensive experience in fashion, portraiture, and documentary work. His technique is hands-on and experimental—scratching and toning negatives, applying mixed-media during hand-printing, and finishing with processes like bleaching or encaustic, making each print a unique original. Through his evocative images, Paul channels his personal experiences and surroundings, conveying a rich tapestry of emotions—from melancholy and anger to humour and love—inviting viewers to deeply connect with his evolving visual narratives.