The Gruissan panoramics - Straits
Digital on Paper
17x36in
$1,010
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PETER WOODBURN
France
Discover the creation in interiors
Other artworks by PETER WOODBURN
Artwork details
- Printing : Digital on Paper , Cardboard under plexiglas
- Framing : Framed
- Dimensions : 17.7x11.8in
- Edition : 12 / 20
- Artist's proof : 2
- Hors commerce : 2
About this artwork
I took to walking a track that I soon realised traced the exact line of the Swiss-French border. I headed east and
It felt like revelation of certain things...I thought of the real Damascus too (as it were). Free, too, to look as I wished and to see what I had to see: what the evidence of my senses presented me with, whether it conformed or not. Such a reading may seem to show scale blindness... each new sortie along that track felt like a claim… followed by a practical demonstration. Who led? Free to say: I saw this excatly as it was and paused to adjust equipment to detect and capture the most accurate depiction of what my senses gave me to decode. The black matter sediment, the gold - leaves: ('the stone's at heart of all' as Yeats says.)
It felt like revelation of certain things...I thought of the real Damascus too (as it were). Free, too, to look as I wished and to see what I had to see: what the evidence of my senses presented me with, whether it conformed or not. Such a reading may seem to show scale blindness... each new sortie along that track felt like a claim… followed by a practical demonstration. Who led? Free to say: I saw this excatly as it was and paused to adjust equipment to detect and capture the most accurate depiction of what my senses gave me to decode. The black matter sediment, the gold - leaves: ('the stone's at heart of all' as Yeats says.)
PETER WOODBURN
France
Peter Woodburn is an artist-photographer carving his niche both via felt connection with unique but everyday landscapes and through the digital / computational approaches he uses to convey this. Loving the interplay between fact and feeling, abstraction and reference, he also enjoys the resonances between his chosen medium and painting. His approach, based on documenting the details of localities, involves being present in and open to the place and its processes before trying to capture images of these. Similar principles also inform his interior still lifes , based on the later stages of existence of flowers and the sense of lived lives they create around them. He approaches hidden worlds of natural detail with the spontaneity of emotions which are already present in sight itself. He communicates via 'documentary expressionism': fixing the essence of place and natural presence, whose spontaneous power to evoke and to move he celebrates.
PETER WOODBURN
In rainwater (border path near Ornex)
$540
