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For me, this work tells tales of resilience and quietude (but not acceptance) in the countrysides and suburbs that wake to bulletins of a war that might own them. I wordlessly dedicated this colour image, at the point at which I took it, in the same silence as that in which the final black and white print came to me a year or so later - to those whose deaths had come upon them (in quietness or deafeningly), during the night preceding that Zurich… dawn. They had died in the east, looking westward, and their puzzled souls might wander endlessly, it seemed to me that cold morning - or until some imagined power release them - on the edge of suburbs like those I had just left . That sheltered stream made the complete destruction we have built into the order of things all the more palpable...and the pale- toned bud-like growths beneath me in the trench in which I crouched, all the more the ciphers of an unheld centre.
Peter Woodburn is an artist-photographer carving his niche both via felt connection with unique but everyday landscapes and through the digital / computational approaches he uses to convey this. Loving the interplay between fact and feeling, abstraction and reference, he also enjoys the resonances between his chosen medium and painting. His approach, based on documenting the details of localities, involves being present in and open to the place and its processes before trying to capture images of these. Similar principles also inform his interior still lifes , based on the later stages of existence of flowers and the sense of lived lives they create around them. He approaches hidden worlds of natural detail with the spontaneity of emotions which are already present in sight itself. He communicates via 'documentary expressionism': fixing the essence of place and natural presence, whose spontaneous power to evoke and to move he celebrates.
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Small , cold stream near Zurich, 2022
PETER WOODBURN
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