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Printing :
Digital on Paper , Cardboard under plexiglas
Framing :
Framed
Dimensions :
12.2x12.2in
Edition :
5 / 20
Artist's proof :
2
Hors commerce :
1
About this artwork
In creating this artwork, I aimed to explore the raw beauty and complex forms, surfaces and textures found in the mechanisms of plant survival in a context of decay. This monochrome digital photograph captures the way component parts grow and occupy space, their shape, surfaces and geometrical array being subtly highlighted against the matte tones of the earthy backdrop. There is a transgressive element in looking below the storey where beauty flashes… out (higher up; this is a clump of irises,). to the level where what lives on feeds on the substantial, redolent traces of what was rooted there. The stark black-and-white contrast treats pallour as glamour and (I hope), amplifies the intricate details and textures, inviting viewers into a contemplative space to take what pleasure they can in this foundational, flattened view.
Peter Woodburn is an artist-photographer carving his niche both via felt connection with unique but everyday landscapes and through the digital / computational approaches he uses to convey this. Loving the interplay between fact and feeling, abstraction and reference, he also enjoys the resonances between his chosen medium and painting. His approach, based on documenting the details of localities, involves being present in and open to the place and its processes before trying to capture images of these. Similar principles also inform his interior still lifes , based on the later stages of existence of flowers and the sense of lived lives they create around them. He approaches hidden worlds of natural detail with the spontaneity of emotions which are already present in sight itself. He communicates via 'documentary expressionism': fixing the essence of place and natural presence, whose spontaneous power to evoke and to move he celebrates.