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Insulated polystyrene in plexiglass box.
The samurai woman is represented in a style that recalls both pop aesthetics and traditional Japanese art, but reinterpreted in a contemporary way. The use of pink colors often trivialized by mass culture, here is transformed into strength and identity. The fuchsia and electric blue breaks the mold of traditional martial clothing and proposes an armed femininity, aware and ready for confrontation. The white… flowers on the dress seem to evoke a contrast between grace and strength. The way she holds the katana is perfectly suspended: we do not know if she is extracting it to fight or putting it away after a fight. This ambiguity is intended to be a conceptual interpretation that reflects a state of transition between passivity and rebellion.
The backdrop of blackened and corrupted advertisements tells of a world where reality has been deceived by perfect images and deceptive seductions.
« "Each work offers the viewer a sinuous game of shapes always different from each other, divided by cracks that run endlessly through the entire work." »
Simone Parri, an Italian painter and sculptor, has exhibited throughout Italy. His works can also be found in several private collections in the United States. Parri approaches art with the philosophy that it is not about filling an empty space with a form, it is adding empty space to a form that already exists. He disassembles each shape or form, then reassembles it, adding “the void”. The sculptures are made of plastic polymers which are mounted/suspended on plexiglass.