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It is a dialogue between two bodies – that of the human and that of the tree. Wild forms can emerge.
It begins with the selection of the wood – it's about creating something from a tree that was felled due to disease and breathing new life into it. In this way, the natural story of life and death is already addressed. I only begin working once I've developed a connection to the part of the tree I want to work with. My craftsmanship is combined with… a sophisticated knowledge of the material. I see the work process as a dialogue, the result of which is a written piece. I draw on the tradition of calligraphy and write with fire and ash. The surface is then coated with shellac, a natural product. This oak tree lived in Lower Austria.
Vinko Nino Jaeger uses media such as wood carving, abstract drawing, painting, photography, and writing. He studied contextual painting and object sculpture at the Academy of Fine Arts Vienna, graduating with distinction. He employs an abstract and surreal aesthetic to disrupt conventional concepts of the body. His working techniques focus on craftsmanship; he uses natural materials and creates his own paints according to his own recipes. He also frequently incorporates fire into his work. Dreams are often the starting point for his artistic practice. The dream is the connection to invisible, subterranean worlds. In transforming the dreamed, a spontaneous, abstract gesture is important to him—with half-open, half-closed eyes.