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Medium :
Acrylic, Cement on Synthetic board , Other rigid frame
Framing :
Framed
Dimensions :
52.5x41.5in
About this artwork
For me, “weighted silence” is not emptiness but presence: a space where gestures, memories, and meanings exist without words. By balancing deliberate marks with the unpredictability of material, I hope to invite viewers to linger in that space and imagine their own unspoken narratives.
I let the material lead me. Layers of plaster, fractures, and exposed under-tones evolve on their own, revealing textures that feel both ancient and immediate. Into… this surface I etched my own hieroglyphic-like markings—personal symbols that act as quiet traces of language, memory, and history.
William Hall, an American painter and sculptor with a background in experimental art and formal training at the University of Texas, melds painting and sculptural techniques into striking “wall reliefs.” He works primarily with masonry materials—cement, grout, mortar, plaster—invoking the tactile quality of earth itself, often employing casting, pouring, polishing, and acid staining for infinite textures. Inspired by the raw mechanics of the natural world and his Native American heritage, he seeks to evoke awe, inviting the viewer to experience the meditative surrender and serendipity present in his artistic process.