The Imagination
Giclée print on Paper
33x33in
$1,170
Framing
Make your artwork stand out
- Professional worldwide delivery, monitored by our logistics experts
- Shipping fees, duties and taxes are included in the price
- 30-day free returns (except made-to-order items)
Singulart guarantees reliability and traceability.
All the artists on the platform have been specially selected and certify to only sell works, of which they are the artist. Whatever the medium, the work is sent to the buyer with a certificate of authenticity. Photographs are numbered and signed.
Every customer can be given a copy of their certificate of authenticity by contacting support@singulart.com
With Singulart, you can pay safely by credit card or bank transfer.
For all transactions exceeding your credit limit, contact us. We are required to verify every transfer, as part of the fight against fraud and money laundering.
Singulart prices include:
- Price of an artwork defined by an artist.
- Insurance. Your order is 100% protected in case of any damage or loss.
- All customs fees, taxes, and document preparation.
- Third-party logistic provider shipping costs.
- A dedicated Singulart customer care specialist that will assist you with any questions or problems during shipment.
Zein Sourany
Spain
Artist highlights
- Works on commission
Discover the creation in interiors
Other artworks by Zein Sourany
Artwork details
- Medium : Giclée print on Paper
- Framing : Framing on request
- Dimensions : 23.4x23.4in
- Edition : 1 / 10
- Artist's proof : 1
About this artwork
The verse in this painting — “لنا على صهوة العشق موعدٌ ولقاء” — Upon the saddle of love, we have an appointment and a meeting — is extracted from a poem I wrote during a loss. What follows is not the poem, but the reflection behind it:
We mistakenly believe that we control our thoughts and hopes — that the mind which moves our limbs has decided, and that is that. But the truth has never been, and will never be, that simple.
Every time a love story… ends, a new parallel world is created, where that story continues toward its happy ending — the ending we will never live. A piece of our being migrates to live in that parallel world, and we carry on with an incomplete life.
somewhere in our imagination, there is a point on the line of time where all the pieces we speak to in our minds converge. read the full text here: https://substack.com/@zeinsourany
We mistakenly believe that we control our thoughts and hopes — that the mind which moves our limbs has decided, and that is that. But the truth has never been, and will never be, that simple.
Every time a love story… ends, a new parallel world is created, where that story continues toward its happy ending — the ending we will never live. A piece of our being migrates to live in that parallel world, and we carry on with an incomplete life.
somewhere in our imagination, there is a point on the line of time where all the pieces we speak to in our minds converge. read the full text here: https://substack.com/@zeinsourany
Zein Sourany
Spain
Credentials
- Works on commission
I am not a calligrapher. I am a poet who writes by hand.
The Arabic script in my work is my own — composed, not transcribed. Each piece begins as a poem written in the margins of a life spent between conflict zones, peacekeeping missions, and displacement. Fifteen years across Lebanon, the Arab world, and international humanitarian work left me with a particular relationship to language: as witness, as survival, as the thing that holds when institutions fail and borders shift.
ENJZ — which means accomplish in Arabic — carries the initials of what I cannot afford to lose.
The work asks what happens when a private text enters visual space. When handwriting becomes image. When a poem written in exile finds a surface large enough to breathe. The background does not decorate the script — it is the atmosphere the poem already inhabits: fragile, luminous, not entirely resolved.
I make these works in Madrid. I think in Arabic. I am still, in some sense still in Lebanon.
The Arabic script in my work is my own — composed, not transcribed. Each piece begins as a poem written in the margins of a life spent between conflict zones, peacekeeping missions, and displacement. Fifteen years across Lebanon, the Arab world, and international humanitarian work left me with a particular relationship to language: as witness, as survival, as the thing that holds when institutions fail and borders shift.
ENJZ — which means accomplish in Arabic — carries the initials of what I cannot afford to lose.
The work asks what happens when a private text enters visual space. When handwriting becomes image. When a poem written in exile finds a surface large enough to breathe. The background does not decorate the script — it is the atmosphere the poem already inhabits: fragile, luminous, not entirely resolved.
I make these works in Madrid. I think in Arabic. I am still, in some sense still in Lebanon.
Zein Sourany
The Imagination
$720
