A curation by Natalie Slater, Curator at Singulart - In this curatorial selection, the face doesn’t settle here. Across painting and collage, it’s pulled apart and put back together without fully aligning. Features repeat, slip, or land slightly off. A single figure splits into multiple readings, or gets rebuilt from fragments that don’t quite belong to the same body. Recognition is there—but it doesn’t lock. There’s control in the disruption. Proportion, symmetry, continuity—each one is pushed just enough to create tension without collapse. The image holds, but only barely. You can see the construction happening. Cuts, overlays, shifts in surface—nothing is fully concealed. The face reads as both assembled and unstable at the same time. It stays in that in-between. Not broken, not resolved. Just not fixed.