Nautilus, Radierung
Lithography on Paper
17x13in
$430
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Andrea Finck
Germany
Related collection
Artworks Inspired by Shota Nakamura
322 pieces
Artist highlights
- Group shows participant
- Experienced Artist
- Solo shows participant
- Featured in gallery curations
Discover the creation in interiors
Other artworks by Andrea Finck
Artwork details
- Medium : Engraving on Paper
-
Framing :
Other rigid frame
Framed - Dimensions : 15.7x13in
- Edition : All editions sold (20 / 20)
- Artist's proof : 20
- Hors commerce : 9
About this artwork
The work of art is an etching in aquatint technique. A copper plate was used on which the motif was first scratched with an etching needle. A total of 2 copper plates were used. With the unusual image of the playing monkeys, the artist builds a bridge to the past. The model for this illustration comes from the island of Thera/Santorini. In the town of Akrotiri, in the so-called House of Monkeys, there is a fresco that dates back to the Bronze Age…
and served as a model or inspiration for Andrea. This vintage style creates a feeling of nostalgia and transports antiquity into our modern times. The light red print comes with a passepartout and wooden frame.
Andrea Finck
Germany
Credentials
- Group shows participant
- Experienced Artist
- Solo shows participant
- Featured in gallery curations
Andrea Finck is a contemporary painter with a background in archaeology and art history. Her work explores the themes of landscape, time, and cultural memory.
Starting with natural and coastal landscapes, multi-layered pictorial spaces emerge in which color, material, and layering overlap. Landscape is understood as a vehicle of time and perception, not as a mere representation.
In her work, painting and printmaking combine to create open processes between observation, transformation, and dissolution.
Her works have been shown in national and international exhibitions and are held in private collections.
Starting with natural and coastal landscapes, multi-layered pictorial spaces emerge in which color, material, and layering overlap. Landscape is understood as a vehicle of time and perception, not as a mere representation.
In her work, painting and printmaking combine to create open processes between observation, transformation, and dissolution.
Her works have been shown in national and international exhibitions and are held in private collections.
