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This work belongs to the series "Splinters in the Landscape," in which I work with pastel and charcoal on paper. I am interested in how landscapes dissolve into fragmented color spaces, creating new and unexpected connections.
The figures appear like imaginary beings moving through an open landscape, whose light and atmosphere are reminiscent of William Turner. This Turneresque vastness—the vibrant interplay of color, haze, and space—creates for… me a resonating chamber in which the figures explore their identities.
I want to show how fragile individual moments become a larger, breathing whole. The work is part of my conscious return to haptic art: immediate trace, touch, pigment, and the direct gesture of the hand are central.
This work is part of the cycle "Fragments in Futuristic Romanticism", which I am continuously documenting on "Totysseus.space".
Laszlo Toth – also known as "Totysseus" – is a classically trained painter, draftsman, and conceptual artist who works at the intersection of haptic materiality and analytical structure, inspired by an early influence from a student of Oskar Kokoschka. His technique combines impasto, minimalist pastel paintings, precisely placed color fields, collages, and large-format acrylic paintings into organically fragmented pictorial spaces, often in series and embedded within his concept of Futurromanticism. His works convey a sensual reflection on fragmentation and condensation, inviting a quiet perception of complex interrelationships – full of tension, attentiveness, and poetic depth. The series "Splitterwesen" explores fragmented perception and atmospheric depth. Each work bears an SWL catalog number and is part of an ongoing cycle that I develop, document, and continue under my artist name Totysseus on the blog pages of "Totysseus.space".
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Splitter SWL 303
Laszlo Toth
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