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Framing :
Cardboard under glass Framing on request
Dimensions :
27.6x19.7in
About this artwork
This work belongs to the series "Humanoid Fragments," in which I use pastel and charcoal on paper to make fragmented figures visible in open landscapes. I am interested in how physical presence emerges from fragments, negative forms, and atmospheric color spaces—as if a being were arising from the landscape itself.
The humanoid silhouettes do not appear as classical bodies, but as permeable forms of consciousness composed of fragments of coal. Their… identity emerges in the in-between spaces: in the light, in the haze, in the vibrant expanse reminiscent of William Turner's atmospheric spaces. This Turneresque openness creates for me a space of resonance in which the figures tentatively explore their form.
The landscape – often iconic locations in the Rhineland – serves as a matrix from which the fragmented beings emerge. Flat horizons open upwards into cosmic fields of color, so that earth and vastness merge into one another.
Laszlo Toth – also known as "Totysseus" – is a classically trained painter, draftsman, and conceptual artist who works at the intersection of haptic materiality and analytical structure, inspired by an early influence from a student of Oskar Kokoschka. His technique combines impasto, minimalist pastel paintings, precisely placed color fields, collages, and large-format acrylic paintings into organically fragmented pictorial spaces, often in series and embedded within his concept of Futurromanticism. His works convey a sensual reflection on fragmentation and condensation, inviting a quiet perception of complex interrelationships – full of tension, attentiveness, and poetic depth. The series "Splitterwesen" explores fragmented perception and atmospheric depth. Each work bears an SWL catalog number and is part of an ongoing cycle that I develop, document, and continue under my artist name Totysseus on the blog pages of "Totysseus.space".