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"Disused" (from the "Industrial" series) is my image of an infrastructure that once signified direction and speed. Like almost nothing else, railway tracks represent the early steel age: connection, acceleration, the promise of progress. In their disuse, this promise tips into transience. I photograph the tracks up close and at a shallow angle, so that they no longer lead into the distance but remain frozen in the image – as if suspended in time.… Among the ballast, earth, and scattered remnants, the sleepers appear like weary bodies, still bearing weight but no longer capable of movement. What once ordered space becomes a track: a linear way of thinking that breaks down. I am interested in this moment when technology becomes a ruin – not spectacularly, but quietly, in the material, in the dust, in the silence.
Marcel van Beek works with photography, painting, and graphic design, drawing on his artistic background from his studies at the Alanus University of Art and Social Sciences. His technique combines pictorialist influences with romantic-symbolist imagery. His photographs embody contemporary fine art photography and conceptual photography, often featuring monochrome recolors in tertiary colors.
He creates a poetic visual language interested in forms and structures, combining this with a modern, conceptual approach that claims social relevance. In his works, he explores inner and outer landscapes, conveying feelings of longing and threat, as well as a fascination with the hidden. He has published various art publications (most recently "World of Water," 2025), which are represented internationally in academy and museum libraries (including Vienna, Basel, Düsseldorf, and Berlin).
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Stillgelegt
Marcel van Beek
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