Where will the wind blow?
Acrylic on Cardboard
11x8in
$770
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Mirela Fioresy
Brazil
Related collection
Exhibition Expo Arte SP - Mirela Fioresy
6 pieces
Artist highlights
- Featured in gallery curations
- Works on commission
Discover the creation in interiors
Other artworks by Mirela Fioresy
Artwork details
- Medium : Acrylic, India Ink on Canvas
- Other details : Artwork on supported wooden frame. Framing on request.
- Dimensions : 27.6x19.7in
About this artwork
This piece is the first dip pen painting on canvas I created as an artwork within a branded series, making it a foundational work in my practice and a significant milestone in my career.
Originally created in 2014 as a pure deep pen drawing on canvas, it marked the beginning of a visual language that would later unfold across multiple series. In 2025, I returned to the piece and added an acrylic painting surrounding the original drawing, transforming… both its presence and meaning.
Originally titled Guardian, the artwork was later renamed Mask as my perception of the piece evolved, allowing for a more open and layered reading. An original sketch on paper developed directly from this work traces the early formation of the series. Due to its significance, Mask is not for sale and remains part of my private collection.
Originally created in 2014 as a pure deep pen drawing on canvas, it marked the beginning of a visual language that would later unfold across multiple series. In 2025, I returned to the piece and added an acrylic painting surrounding the original drawing, transforming… both its presence and meaning.
Originally titled Guardian, the artwork was later renamed Mask as my perception of the piece evolved, allowing for a more open and layered reading. An original sketch on paper developed directly from this work traces the early formation of the series. Due to its significance, Mask is not for sale and remains part of my private collection.
Mirela Fioresy
Brazil
Credentials
- Featured in gallery curations
- Works on commission
As an artist, I am interested in the visible and invisible forces that shape individual and collective experience, particularly how environments, social systems, and belief structures influence perception, behavior, and forms of belonging. My work examines how these forces operate through what is shown and what remains hidden, and how divisions are constructed through fear, prejudice, and exclusion.
I approach my practice as an inquiry into tension: between visibility and concealment, separation and interconnectedness, surface and depth, detail and totality. These tensions guide how I think about images, spaces, and the relationships they establish with the viewer.
Working across painting and mixed media, I experiment with the collision and combination of techniques and materials. Through processes of layering, interruption, and material testing, I explore transformation and shifts across media as ways of questioning how meaning is formed and destabilized.
I approach my practice as an inquiry into tension: between visibility and concealment, separation and interconnectedness, surface and depth, detail and totality. These tensions guide how I think about images, spaces, and the relationships they establish with the viewer.
Working across painting and mixed media, I experiment with the collision and combination of techniques and materials. Through processes of layering, interruption, and material testing, I explore transformation and shifts across media as ways of questioning how meaning is formed and destabilized.
