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In this work, I use protective symbols from Ukrainian embroidered blouses (vyshyvanka). These symbols have been passed down through generations – not as decoration, but as bearers of protection, memory, and inner order.
The reduced black and white represents the visible, clear contrasts, and apparent clarity. I contrast this with a protective field: a level that is invisible but remains effective. The symbols mark a space beyond the obvious – a… place where protection is not seen but felt.
My work refers to the invisible and to the idea that reality encompasses more than what we can perceive with our eyes.
Nata Statzner is a German painter of Ukrainian descent who has lived in Germany for over two decades and blends the cultural influences of her heritage into a distinctive visual language. She utilizes Cubist fragmentation, minimalist lines, and symbolism from Tripolye culture and Cycladic art to render mythical motifs and faces in an archaic and timeless way. Her works open up quiet spaces for self-reflection and speak of identity, rootedness, and the longing for belonging—conveying a profound sense of inner connection and the power of universal myths.