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Two fish bone fragments face each other in poised alignment – a moment of encounter that feels both ancient and intimate. Their forms, subtly touched with metallic pigment, suggest a gesture of recognition beyond time.
Mounted on a pigmented wooden panel and protected by anti-reflective glass in a solid oak frame, the composition offers a still, contemplative space.
As in all my work, the materials remain unaltered in shape… – their essence revealed rather than transformed. I approach each fragment with reverence and gratitude, aware that even the smallest remains hold presence and dignity.
This piece is part of the series Holding the Invisible, where each work evokes a silent guardian, a threshold, or an echo of unseen connection.
Pia Post, a sculptor and conceptual visual artist with roots in interior architecture, cabinetmaking, and international artistic training, works primarily with natural materials such as bones, seeds, and fish spines. Her intuitive, minimal style foregrounds organic textures, quiet geometry, and presence, using custom framing and surfaces to focus the viewer's attention. Post’s art conveys a meditative reverence for nature, inviting contemplation of the cycles of life and the silent, dignified intelligence inherent in overlooked fragments of the natural world.