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This sculpture centres on a single bone: the jaw articulation of a merluza (European hake). Mounted on a fine rod and resting on a dark base, the form reveals a quiet clarity – evoking wings, movement, or the outline of a being not easily named.
It draws attention to the quiet intelligence embedded in natural forms – forms we rarely notice, yet which carry a strange familiarity when observed closely.
I often work with organic materials such as… fish bones, seeds or spines – not to transform them, but to reveal their essence: their geometry, their memory, their vibration. In this piece, the bone stands entirely on its own. Nothing is added or hidden. It radiates a presence that is both fragile and resolute, inviting a moment of stillness and attention.
Without stating it, the work also carries a silent gesture of respect for the being from which this form once came.
Pia Post, a sculptor and conceptual visual artist with roots in interior architecture, cabinetmaking, and international artistic training, works primarily with natural materials such as bones, seeds, and fish spines. Her intuitive, minimal style foregrounds organic textures, quiet geometry, and presence, using custom framing and surfaces to focus the viewer's attention. Post’s art conveys a meditative reverence for nature, inviting contemplation of the cycles of life and the silent, dignified intelligence inherent in overlooked fragments of the natural world.