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Kintsugi refers to this ancestral Japanese art of repairing broken objects while magnifying the breakage by enhancing it with gold. By applying this principle to nature itself, the artist once again questions our relationship to the world. Does nature need repair? Everything indicates that in our time the answer would be yes. And this is exactly what we sometimes do by protecting or directly intervening, which sometimes gives rise to the paradox… of a nature that is even more aesthetic but somehow artificial since it is controlled by humankind. Thus this repair, aesthetic but artificial, shows our anthropocentric relationship to our environment.
Photograph printed on Hahnemuehle 350g museum etching fine art paper, 24 carat gold leaf, wooden frame.
Romain Liverato, photographer and visual artist, draws his inspiration from the environment. Using landscape photography, which he modifies through various media such as painting, mosaic or collage, he brilliantly illustrates the human impact on nature. His work evokes the disconcerting emotion of this omnipresent alteration, implicating man as the measure - and cause - of all things.