Painter · Born in 1963 - Germany

Rhea Callen

Favorited by galleries Featured in gallery curations

17 Artworks

HALTEZUSTAND II - Gegenfeld (Counter Field)

Acrylic on Canvas
35x28in

$3,480

STATIK II - Kompressionsfeld (Compression Field)

Acrylic on Canvas
47x39in

$4,270

UNTER DRUCK V – Restspannung (Residual Stress)

Acrylic on Canvas
47x39in

$4,210

Schwelle – Threshold

Acrylic on Canvas
39x39in

$4,480

UNTER DRUCK II – Verschiebung (Displacement)

Acrylic on Canvas
39x47in

$4,150

STATIK I - Verschobene Statik (Shifted Statics)

Acrylic on Canvas
31x47in

$4,100

STATIK IV - Gegenzug (Counterforce)

Acrylic on Canvas
47x39in

$4,520

UNTER DRUCK III – Drucklast (Pressure Load)

Acrylic on Canvas
39x47in

$4,210

HALTEZUSTAND I - Verschiebung

Acrylic on Canvas
39x39in

$4,100

UNTER DRUCK I – Kernlast (Core Load)

Acrylic on Canvas
39x47in

$4,150

STATIK III - Druckachse (Pressure Axis)

Acrylic on Canvas
47x35in

$4,370

HALTEZUSTAND IV – Gebundene Bewegung (Bound Movement)

Acrylic on Canvas
39x55in

$5,290

Curated for you

UNTER DRUCK IV – Druckzone (Pressure Zone)

Acrylic on Canvas
39x47in

$4,150

STATIK V - Feldzustand (Field State)

Acrylic on Canvas
47x39in

$4,520

HALTEZUSTAND V - Verdichteter Kern (Condensed Core)

Acrylic, Marble powder on Canvas
39x55in

$4,810

HALTEZUSTAND III – Innenverschiebung (Internal Displacement)

Acrylic on Canvas
39x39in

$4,350

HALTEZUSTAND VI - Kippmoment (Tipping Point)

Acrylic on Canvas
55x39in

$4,810

Rhea Callen

Germany

Credentials

Favorited by galleries
Featured in gallery curations

Rhea Callen works at the intersection of material, space, and tension.
At the heart of their work is the question of how forces can be experienced as a state.

Starting with the series UNDER PRESSURE, in which internal tensions and structural loads become visible, her work develops via STATICS to the current series STEERING STATE.

While in STATIK movement is increasingly bound and brought into equilibrium, this development intensifies in HALTEZUSTAT:
Tension is no longer depicted, but rather maintained within the image space.

The reduced visual language uses material, layering and surface functionally – as carriers of energy.
The works explore the moment before movement: energy in balance, without being discharged.

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Gallery perspective

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