Other artworks by Alejandro Reyna
Artwork details
- Medium : Oil on Canvas
- Other details : Artwork on supported wooden frame. Ready to hang. Framing on request.
- Dimensions : 78.7x70.9in
About this artwork
The Vitruvian Man was his boldest response—the human figure inscribed within the perfect circle, measured, proportionate, the center of the universe. A symbol so powerful that five hundred years later it remains the emblem of human reason.
But postmodern man no longer fits neatly into that circle.
In Mandala, I place the Vitruvian Man at the center, as Leonardo imagined him—arms… outstretched, perfect in his geometry. But his face is divided: half flesh, half skull. Above him, the eyes of the Mona Lisa gaze down, eternally ambiguous, eternally unanswered. To his left, Grant Wood's American Gothic couple—the moral rigidity of the New World, its severity, its uneasy silence. To his right, Cubism fragments all that reason cannot contain.
The circle encompasses everything.
A mandala is a map of the cosmos. This is the map of the cosmos that we have constructed.
Alejandro Reyna
Mexico
Credentials
- Works on commission
He has conceived collections that inhabit their own conceptual universes: the human psyche and its emotions, pre-Hispanic mythology, the movement of the body, the tensions between opposites. His most celebrated work, "Aurum Nostrum," pays homage to the great masters of Western art, transmuting them into a profoundly contemporary language.
Academic realism with the soul of Magical Realism. Precise human figures inhabiting abstract and dreamlike spaces. His technique combines classical and contemporary styles, experimenting with gold, geometry, and color on a grand scale. His works convey wonder and reflection, inviting an emotional and universal experience that reconciles the ancestral with the modern.