There's No Place
Oil on Synthetic board
27x23in
$3,950
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Debra Keirce
United States
Artist highlights
- Favorited by galleries
- Featured in gallery curations
- Works on commission
Discover the creation in interiors
Other artworks by Debra Keirce
Artwork details
- Medium : Oil on Metal
- Other details : Artwork unmounted, but already framed and ready to hang.
- Dimensions : 4.5x5.3in
About this artwork
Sea Turtles must see so much of both the ocean and the beach. Think of it. They are one of the rare species at home in both habitats. If they could talk, oh the messages they could convey!
The Greek philosopher Theophrastus is the first recorded person to send a note in a bottle. He did it to observe the ocean movement.
In the19th century, governments and researchers released bottles to map ocean currents. During military operations before morse… code and telegrams, bottles were used for distress signals from ships. Queen Elizabeth I even had a person on staff as the official uncorked, for sensitive military messages.
Even as recently as 2005, a message in a bottle led to the rescue of 88 refugees off Costa Rica.
There's something romantic and exciting about messages in bottles. I plan to send a few myself!
The Greek philosopher Theophrastus is the first recorded person to send a note in a bottle. He did it to observe the ocean movement.
In the19th century, governments and researchers released bottles to map ocean currents. During military operations before morse… code and telegrams, bottles were used for distress signals from ships. Queen Elizabeth I even had a person on staff as the official uncorked, for sensitive military messages.
Even as recently as 2005, a message in a bottle led to the rescue of 88 refugees off Costa Rica.
There's something romantic and exciting about messages in bottles. I plan to send a few myself!
Debra Keirce
United States
Credentials
- Favorited by galleries
- Featured in gallery curations
- Works on commission
Debra Keirce, a painter and drawer with a background in biochemical engineering, masterfully works in oils and charcoal, drawing from rigorous classical training. She employs layered, tightly rendered traditional realism—often achieved through indirect techniques reminiscent of the Dutch Masters—across genres from photorealistic still lifes and marine art to portraits and fantastical beasts. Her artworks invite viewers into immersive narratives, evoking warm memories, wonder, and joy, aiming always to resonate with emotion and contribute positively to the well-being of those who experience her art.
