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When I began working on Baroque Trace, I wanted to revisit the intensity of the Baroque movement, but through a contemporary lens. I’ve always been fascinated by the way Baroque artists used drapery, light, and shadow to convey raw emotion — ecstasy, grief, awe. In my work, those folds and movements are no longer carved in marble or painted on canvas, but translated into digital fragments.
For me, this series is about capturing pathos in a time… when images are fleeting and fractured. Each piece carries echoes of Bernini’s theatrical sculptures or Caravaggio’s chiaroscuro, but what remains is only a trace — a residue of excess and passion reframed in abstraction. I see it as a dialogue between past and present, where the dramatic weight of history meets the fluidity of the digital.
Denis Leclerc, a classically trained painter and accomplished digital artist, bridges the worlds of fine art and visual communication with an expansive practice rooted in oil, acrylic, and digital media. His intricate, layered digital abstractions skillfully blend painterly gestures with subtle animation, drawing from a meditative, minimalist sensibility or a lush, baroque digital vocabulary. Each piece explores transformation and ambiguity, inviting viewers into liminal spaces where forms shift and dissolve—conveying emotions of suspension, quiet resonance, and lingering presence that invite slow, contemplative attention.