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Other details :
Unmounted artwork. Mounting and/or framing available on request.
Dimensions :
59.1x59.1in
About this artwork
In Mal du Siècle – Diptyque I, two human figures coexist in a closed geometric space, without any real interaction. Their postures — one bent, almost collapsed, the other crouching in an attitude of withdrawal — convey a state of fatigue or inner tension.
The treatment of the body, organic and sculpted, reinforces the presence of life in the face of a constructed, rigid, and silent environment. The space, structured by simple planes and an ambiguous… perspective, maintains a feeling of constraint, accentuated by the presence of an isolated volume on the ground, whose function remains uncertain.
Despite their proximity, the figures seem trapped in distinct states, unable to fully unite. The body persists, but in a state of exhaustion, revealing a contemporary unease where human presence resists without managing to break free from the space that contains it.
Eduardo Sampaio, a Brazilian painter and draftsman, trained as an architect and visual artist, enriched by his experience in São Paulo and Paris. He adopts a contemporary approach while cultivating a deep connection with artistic traditions, mastering plastic principles and applying precise techniques to give form to tangible reality. Through his work, he evokes psychological tensions surrounding the human figure and its relationship to space, conveying a powerful emotional intensity about the individual experience in the modern world.
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Mal du Siècle - Diptyque I
Eduardo Sampaio
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