Hollyhock
Oil on Canvas
30x24in
$3,000
- Professional worldwide delivery, monitored by our logistics experts
- Shipping fees, duties and taxes are included in the price
- 30-day free returns (except made-to-order items)
Singulart guarantees reliability and traceability.
All the artists on the platform have been specially selected and certify to only sell works, of which they are the artist. Whatever the medium, the work is sent to the buyer with a certificate of authenticity. Photographs are numbered and signed.
Every customer can be given a copy of their certificate of authenticity by contacting support@singulart.com
With Singulart, you can pay safely by credit card or bank transfer.
For all transactions exceeding your credit limit, contact us. We are required to verify every transfer, as part of the fight against fraud and money laundering.
Singulart prices include:
- Price of an artwork defined by an artist.
- Insurance. Your order is 100% protected in case of any damage or loss.
- All customs fees, taxes, and document preparation.
- Third-party logistic provider shipping costs.
- A dedicated Singulart customer care specialist that will assist you with any questions or problems during shipment.
Elizabeth Rickert
United States
Related collection
Artworks Inspired by Edgar Negret
334 pieces
Artist highlights
- International Exposure
- Experienced Artist
- Prizewinner
- Residency Participant
- Favorited by galleries
- Featured in gallery curations
Discover the creation in interiors
Other artworks by Elizabeth Rickert
Artwork details
- Medium : Oil on Synthetic board
- Other details : Artwork on wood. Ready to hang. Framing on request.
- Dimensions : 14x11in
About this artwork
A neighbor lent Elizabeth the antique wooden and metal vessel in this painting. She loves that old objects tell their own stories and trigger experiences with the viewer that are so personal. How many people owned this container and how was it used? Rickert enjoys the challenge of rendering the tarnished metal hoops as well as the beat up wood that has given this vessel such a history. What could this container hold? Marigolds, with a butterfly on…
top? Why not?
Elizabeth has started employing more complex imagery in the background of her paintings. She has started gluing Asian fabric to her board and painting on top. Or, in the case of this painting, has used Japanese maple leaves from her garden and has used a different technique to apply their imprint. She paints the leaves and then presses them onto the board, releasing their paint as a print. She hopes the viewer notices how the imprint of the leaves mimics the shape of the monarch butterfly's wings. Please enjoy!
Elizabeth has started employing more complex imagery in the background of her paintings. She has started gluing Asian fabric to her board and painting on top. Or, in the case of this painting, has used Japanese maple leaves from her garden and has used a different technique to apply their imprint. She paints the leaves and then presses them onto the board, releasing their paint as a print. She hopes the viewer notices how the imprint of the leaves mimics the shape of the monarch butterfly's wings. Please enjoy!
Elizabeth Rickert
United States
Credentials
- International Exposure
- Experienced Artist
- Prizewinner
- Residency Participant
- Favorited by galleries
- Featured in gallery curations
« I now see my career as a series of new expansions followed by the refinement of long periods of physical application. »
Elizabeth Rickert is an award-winning artist based in the United States whose paintings have been featured in numerous solo and group exhibitions nationally. Her detailed impressions of plants, animals, and nature convey not only the beauty of nature but also solitude and the complexity of rich moments. In her artistic process, Rickert employs varying techniques with oils on canvas.
She started as a sculptor, and so, approaches nature with a sculptor's eye- seeing the way shapes and forms and light and darkness interact.
She has been fortunate to find museums, galleries, artist residencies, and corporate and private collectors around the world.
She started as a sculptor, and so, approaches nature with a sculptor's eye- seeing the way shapes and forms and light and darkness interact.
She has been fortunate to find museums, galleries, artist residencies, and corporate and private collectors around the world.
