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Hello Halo unfolds in a field of deep cobalt blue, where two soft light-cores appear as if they have just emerged — or are on the verge of dissolving again. The forms seem to breathe within the blue, suspended between glow and shadow. Their edges blur gently, giving the work a weightless calm: light that doesn’t radiate loudly, but whispers.
Blending photography with a painterly texture, the piece evokes a sense of quiet proximity, as if these two… halos are slowly moving toward one another in a slowed-down, celestial drift. The scene remains open and intangible — a silent meeting that seems to take place outside time and space.
Printed on museum-grade etching paper, whose tactile surface allows pigments to sink into the fibres like paint. The result is a uniquely painterly photographic work — soft, textured, and rich in depth. Available in four sizes.
Eric Rugers (Melbourne, 1970) is a hybrid abstract artist working between painting and photography. His images begin in layered painted surfaces, photographed in extreme close-up and translated into tactile giclée prints where colour, light and form shift into presence.
With over thirty years in illustration and design, Rugers brings a sharp sense of composition, rhythm and chromatic balance. In 2024 and 2025, his work entered the MA-g Museum collection. Curator Andréa Da Palma (Galerie Perrotin) noted his “striking command of saturation and luminous tonal shifts.”
Working within Perceptualism, he creates images that resist narration and invite sustained looking.
Influenced by Turner, Rothko and Richter, as well as the Japanese aesthetics of yūgen and ma., his work rewards slow looking, reveals new nuances over time, and sustains attention beyond the first glance.