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Genesis (After Apocalypse) distills the turmoil of its predecessor into a quieter, more deliberate form. The cloud-like mass hovers between emergence and collapse, while the vertical streaks read as rain, ash or ink — traces of something shifting state. In this reduced palette, structure and texture rise to the surface as chaos begins to reorganize itself.
With colour stripped back to near-monochrome, the focus moves to gesture, density and the… physicality of the mark. What remains is both echo and transformation — a rebirth that still carries its origin.
Genesis (After Apocalypse) reflects on renewal: how destruction leaves residues that can spark creation. A meditation on emergence — the threshold where endings turn into beginnings.
Printed on museum-grade etching paper, whose tactile surface lets pigments settle into the fibres like paint. A painterly photographic work — soft, textured, and rich in depth. Available in four sizes.
Eric Rugers (Melbourne, 1970) is a hybrid abstract artist working between painting and photography. His images begin in layered painted surfaces, photographed in extreme close-up and translated into tactile giclée prints where colour, light and form shift into presence.
With over thirty years in illustration and design, Rugers brings a sharp sense of composition, rhythm and chromatic balance. In 2024 and 2025, his work entered the MA-g Museum collection. Curator Andréa Da Palma (Galerie Perrotin) noted his “striking command of saturation and luminous tonal shifts.”
Working within Perceptualism, he creates images that resist narration and invite sustained looking.
Influenced by Turner, Rothko and Richter, as well as the Japanese aesthetics of yūgen and ma., his work rewards slow looking, reveals new nuances over time, and sustains attention beyond the first glance.