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A figure drifts upward through a field of green light — part shadow, part memory. The Rise traces a moment between ascent and suspension. As the form hovers and dissolves, it suggests emergence and transformation without ever becoming fixed.
Like the other works in the Mythos Series, The Rise begins as a painted surface. Through close observation and shifting light, the camera reveals movements, textures and vibrations of colour. The photograph… feels alive — soft, breathing, shifting as you stay with it.
It invites a quiet, contemplative gaze, holding a subtle tension between darkness and radiance — between the figure we think we recognise and the mystery that remains.
Printed on museum-grade etching paper, whose tactile surface allows pigments to sink into the fibres like paint. The result is a uniquely painterly photographic work — soft, textured, and rich in depth. Available in four sizes.
Eric Rugers (Melbourne, 1970) is a hybrid abstract artist working between painting and photography. His images begin in layered painted surfaces, photographed in extreme close-up and translated into tactile giclée prints where colour, light and form shift into presence.
With over thirty years in illustration and design, Rugers brings a sharp sense of composition, rhythm and chromatic balance. In 2024 and 2025, his work entered the MA-g Museum collection. Curator Andréa Da Palma (Galerie Perrotin) noted his “striking command of saturation and luminous tonal shifts.”
Working within Perceptualism, he creates images that resist narration and invite sustained looking.
Influenced by Turner, Rothko and Richter, as well as the Japanese aesthetics of yūgen and ma., his work rewards slow looking, reveals new nuances over time, and sustains attention beyond the first glance.