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A figure dissolves into light — part memory, part apparition. Ode to Toni captures a fleeting, intimate presence: a body reduced to colour, grain and vibration. Soft pink tones pulse against the dark, creating a sense of warmth and distance at the same time.
As in much of Rugers’ recent work, the image began as a close-up of painted texture. Through magnification and shifting angles, the photograph reveals what lies beneath the surface: emotion… rather than depiction, resonance rather than form.
A quiet sense of movement lingers — almost a gesture, almost a dance — held between presence and disappearance.
Printed on museum-grade etching paper, whose tactile surface allows pigments to sink into the fibres like paint. The result is a uniquely painterly photographic work — soft, textured, and rich in depth. Available in four sizes.
Eric Rugers (Melbourne, 1970) is a hybrid abstract artist working between painting and photography. His images begin in layered painted surfaces, photographed in extreme close-up and translated into tactile giclée prints where colour, light and form shift into presence.
With over thirty years in illustration and design, Rugers brings a sharp sense of composition, rhythm and chromatic balance. In 2024 and 2025, his work entered the MA-g Museum collection. Curator Andréa Da Palma (Galerie Perrotin) noted his “striking command of saturation and luminous tonal shifts.”
Working within Perceptualism, he creates images that resist narration and invite sustained looking.
Influenced by Turner, Rothko and Richter, as well as the Japanese aesthetics of yūgen and ma., his work rewards slow looking, reveals new nuances over time, and sustains attention beyond the first glance.