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Slip Away — slowly loosening its grip.
Fragment by fragment, feeling by feeling.
Not as a sudden disappearance, but as something gradual — where presence, memory and emotion begin to fragment and drift.
The images resist settling into certainty. Forms appear briefly, then dissolve again, suspended somewhere between holding on and release.
Two panels, each measuring 60 × 45 cm.
Printed on museum-grade etching paper, whose tactile surface allows… pigments to sink into the fibres like paint.
The result is a uniquely painterly photographic work — soft, textured, and rich in depth.
Eric Rugers (Melbourne, 1970) is a hybrid abstract artist working between painting and photography. His images originate in layered painted surfaces, captured in extreme close-up and translated into tactile giclée prints where color, light, and form shift into presence.
With over thirty years in illustration and design, Rugers brings a sharp sense of composition, rhythm, and chromatic balance. In 2024 and 2025, his work entered the MA-g Museum collection. Curator Andréa Da Palma (Galerie Perrotin) noted his “striking command of saturation and luminous tonal shifts.”
Working within Perceptualism, he creates lens-based images that resist narration and invite sustained looking — remaining in the moment before meaning settles.
Influenced by Turner, Rothko, and Richter, as well as the Japanese aesthetics of yūgen and ma, his work unfolds slowly, revealing new nuances over time and sustaining attention beyond the first glance.