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Other details :
Artwork on supported wooden frame. Artwork framed.
Dimensions :
23.2x19.7in
About this artwork
This work represents a state of early withdrawal, situated at the very beginning of the emergence process. After the initial overloads, the figure retreats into an ancient, familiar inner world, where perceptions are altered and the senses are distorted.
The unrealistic colors reflect this sensory alteration: reality is not yet rejected, but already filtered. The face seems to float in an intermediate space, suspended between presence and isolation.… There is no desire to go out yet, only the search for inner peace.
A subtle tension nonetheless runs through the figure. It doesn't break the silence, but it pervades it. This slight unease suggests that this withdrawal, while protective, may not be entirely stable. The work captures this fragile moment when the refuge begins to be questioned, before any action has yet been taken.
A Czech-born painter living in France, she develops a figurative practice centered on the body as a site of inner transformation. Nourished by training in visual arts and fashion design, her painting—influenced by expressionism—blends anatomical rigor with instinctive gestures.
Through figures often isolated, immersed, or confronted by a boundary (water, glass, surface), her work explores the processes of individuation and integration of the Shadow, in the sense of Carl Gustav Jung. The body becomes the visible stage for psychic and perceptual tensions, revealing
Through figures often isolated, immersed, or confronted by a boundary (water, glass, surface), her work explores the processes of individuation, the integration of the Shadow, and the states of vulnerability linked to becoming oneself. Flesh becomes the visible terrain of an intimate passage, where psychic tensions, sensory perception, and presence crystallize in the pictorial matter.