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The Prophet is based on the biblical phrase "Mene, Mene, Tekel, Upharsin" (Daniel 5:25–31), a message written on the wall that announced the end of Belshazzar's reign. That sentence reappears here in Hebrew, accompanied by the figure of Minnie as a costume, under which I represent myself as the artist-prophet.
The work confronts the sacred and the banal to cast judgment on our time: traditional art is finished. Old models, canonical narratives,… and the romantic image of the artist no longer hold sway. In their place, new hybrid forms emerge, interwoven with popular culture, the digital, and irony.
With its gilded surface, childlike iconography, and biblical undertones, The Prophet is both satire and warning: a reminder that we are at a turning point where art must reinvent itself or disappear into the multitude of simulacra that surround it.
Jesús Azogue is a transmedia artist trained in Seville and Brussels who fuses installation, digital art, and technological research. His works employ hybrid techniques such as drawing, digital sculpture, extended reality, and artificial intelligence, creating interactive installations and immersive experiences. He alternates technological precision with poetic approaches to explore the relationship between the human and the artificial. His works invite reflection, seeking to awaken deep questions and emotions about identity, memory, and our presence in an ever-changing digital world.