Discover the creation in interiors
Other artworks by Karin Doering
Artwork details
- Medium : Acrylic, Tape on Canvas
- Other details : Artwork on supported wooden frame. Ready to hang. Framing on request.
- Dimensions : 39.4x39.4in
About this artwork
IMMERSING is a work of art from the HUMAN STRIPES series. The work shows a woman looking up from a pool. Turquoise, blue, silver and orange are primary colors in the work. The work of art was painted and taped by the artist in her studio and completed with many people on August 16, 2022 as part of a video shoot by the artist.
Karin Döring's aim is to use her art to go beyond previous art experiences. Making creative processes tangible and tangible… for people. Previous rules, such as not touching works of art, are simply thrown overboard. Each of the tapes stands for one of its own limits, which are bravely tackled and removed. It is not enough for her that people just look at art, you only feel the art by perceiving it haptically, getting involved, removing layer by layer, tape by tape, taking something in order to create a new, connecting work together.
Karin Döring's aim is to use her art to go beyond previous art experiences. Making creative processes tangible and tangible… for people. Previous rules, such as not touching works of art, are simply thrown overboard. Each of the tapes stands for one of its own limits, which are bravely tackled and removed. It is not enough for her that people just look at art, you only feel the art by perceiving it haptically, getting involved, removing layer by layer, tape by tape, taking something in order to create a new, connecting work together.
Karin Doering
Germany
Credentials
- International Exposure
- Art Fair Participant
- Prizewinner
- Covered by the Press
- Solo shows participant
- Featured in gallery curations
- Works on commission
« The more curious we are, the more creative we become »
My work explores the tension between identity, body, concealment, and transformation.
I don't understand painting as a representation, but as a space for inner movement. As a place where that which cannot be captured becomes visible.
I work in series that develop organically during the process, not from pre-existing concepts. Material plays a central role: acrylic, texture, gold leaf, platinum, and mixed media are not merely decorative elements, but carriers of meaning.
Concealment is not a retreat. It is a deliberate act. It creates distance, protection, and a new way of reading.
Faces and bodies do not appear as surfaces for identification, but rather as spaces for projection. I understand identity not as a state, but as a process, characterized by the tension between visibility and withdrawal.
I don't understand painting as a representation, but as a space for inner movement. As a place where that which cannot be captured becomes visible.
I work in series that develop organically during the process, not from pre-existing concepts. Material plays a central role: acrylic, texture, gold leaf, platinum, and mixed media are not merely decorative elements, but carriers of meaning.
Concealment is not a retreat. It is a deliberate act. It creates distance, protection, and a new way of reading.
Faces and bodies do not appear as surfaces for identification, but rather as spaces for projection. I understand identity not as a state, but as a process, characterized by the tension between visibility and withdrawal.