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J'ai créé "Black Friday" comme une critique mordante de notre société de surconsommation. Utilisant des affiches déchirées glanées dans les rues parisiennes, j'ai assemblé une œuvre qui dénonce la saturation visuelle de notre culture. Ces fragments urbains, témoins de notre quotidien, sont marouflés sur textile, créant un dialogue entre fragilité du papier et robustesse du tissu. Ma technique de "collage coloriage" repousse les limites du collage… traditionnel. J'ai façonné une silhouette androgyne qui remet en question les normes de genre ancrées dans notre consumérisme. La posture robotique et le bandeau sur les yeux symbolisent notre aveuglement collectif face à la frénésie d'achat. Le titre évoque cette journée emblématique de surconsommation mondiale, paroxysme de l'absurdité de notre système économique. Mon but est d'inciter à réfléchir sur nos habitudes de consommation et leur impact sociétal et environnemental.
I created LARTBATARD, a form of artcycling born from urban collage, to offer contemporary art lovers images that resist simple “scrolling” and invite them to look differently. Using torn posters, printing inks and gestural painting, I develop six families of MadeReady (PhotosReadyMade, MadeReady_Paper, MadeReady_#Paper, MadeReady_Ink#artRevues, MadeReady_PaperInk and MadeReady_DrawInk) which replay the signs of our time and reveal its tensions. My series question identity, the body, migration and the memory of struggles, in a world saturated with images where every face seems replaceable. My works have circulated in galleries, in residences and online, in France and internationally; each piece functions for me as an archaeology of the present, a fragment of humanity to collect before it disappears.
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