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"No more rules." This visual cry, torn at the heart of a red square. A sentence, an echo, a trembling memory of November 2015. This work was born on the walls of the 11th arrondissement of Paris, where posters no longer adhere to reality, but attempt to reattach it.
I made it a few months after the Bataclan attacks, in that strange state where the city no longer resonates quite the same. Every noise, every face, every pasted piece of paper seemed… to take on a new meaning, or a new silence. So I tore it out. Torn it out as one breathes. Torn it out as one screams. Torn it out to transform. That's how this piece was born.
It belongs to the MadeReady_Paper series, the raw heart of my artistic approach LARTBATARD. No paint here. No ink. Just reality, taken by force from the street, fragmented, displaced, glued back together. This is what I call paperization: radical appropriation of what the city reveals, or forgets.
I created LARTBATARD, a form of artcycling born from urban collage, to offer contemporary art lovers images that resist simple “scrolling” and invite them to look differently. Using torn posters, printing inks and gestural painting, I develop six families of MadeReady (PhotosReadyMade, MadeReady_Paper, MadeReady_#Paper, MadeReady_Ink#artRevues, MadeReady_PaperInk and MadeReady_DrawInk) which replay the signs of our time and reveal its tensions. My series question identity, the body, migration and the memory of struggles, in a world saturated with images where every face seems replaceable. My works have circulated in galleries, in residences and online, in France and internationally; each piece functions for me as an archaeology of the present, a fragment of humanity to collect before it disappears.