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"We" is a MadeReady_paper that condenses my obsessions: the fracture, the struggle, the chaos of the world. Here, Trump emerges as a symbol of division, a shadow over humanity. The fragments of torn posters, traces of demonstrations, war, slogans, collide to embody this uncertain "we," torn but standing. My LartBatard explodes in this tension: crossbreeding, hybridity, refusal of boxes. I paste, I tear, I provoke: the work becomes a battlefield,… a mirror of our contradictions. "We" is not an answer, it is a question thrown at the world: what remains of humanity when war and hatred saturate the public space? Between violence and hope, I seek this fragile thread of "we," this collective cry, this possible surge.
I created LARTBATARD, a form of artcycling born from urban collage, to offer contemporary art lovers images that resist simple “scrolling” and invite them to look differently.
Using torn posters, printing inks and gestural painting, I develop six families of MadeReady (PhotosReadyMade, MadeReady_Paper, MadeReady_#Paper, MadeReady_Ink#artRevues, MadeReady_PaperInk and MadeReady_DrawInk) which replay the signs of our time and reveal its tensions.
My series question identity, the body, migration and the memory of struggles, in a world saturated with images where every face seems replaceable.
My works have circulated in galleries, in residences and online, in France and internationally; each piece functions for me as an archaeology of the present, a fragment of humanity to collect before it disappears.