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My work entitled “Fraternity” (MR20150715) is a contemporary collage piece that I created from torn posters reassembled on a framed canvas. It is part of an artistic and social approach that is close to my heart, combining urban aesthetics and humanitarian commitment.
Artistic approach I chose to use advertising posters torn off in the streets of Paris, a material intrinsic to street art, to give them a second life. These fragments, superimposed… and glued on a canvas, create a vibrant and textured composition. I like to work with the technique of decollage, where the layers of posters are revealed by tears, revealing underlying strata. This symbolizes for me the urban chaos while capturing the raw energy of the street. The chromatic palette is deliberately saturated, with marked contrasts between bright colors and dark areas. This visual tension reflects the opposition between hope and despair.
I created LARTBATARD, a form of artcycling born from urban collage, to offer contemporary art lovers images that resist simple “scrolling” and invite them to look differently. Using torn posters, printing inks and gestural painting, I develop six families of MadeReady (PhotosReadyMade, MadeReady_Paper, MadeReady_#Paper, MadeReady_Ink#artRevues, MadeReady_PaperInk and MadeReady_DrawInk) which replay the signs of our time and reveal its tensions. My series question identity, the body, migration and the memory of struggles, in a world saturated with images where every face seems replaceable. My works have circulated in galleries, in residences and online, in France and internationally; each piece functions for me as an archaeology of the present, a fragment of humanity to collect before it disappears.