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In 2016, in the streets of Paris, I tore down a Kinder Surprise poster. This instinctive gesture triggered a reflection on the legacy we leave to children in a changing world. I recomposed this image by integrating other fragments of posters from the same period, through a gesture I call paperization. This MadeReady is part of LARTBATARD, my free and undisciplined approach that questions the chaos of reality through urban collage. What stands out… here are the paper hashtags, all different, constructed by hand. They embody my uncertainties, my doubts about the future. Each sign becomes a fragile beacon without words in a world saturated with images. Through this controlled chaos, I give a second life to these fragments and question the place we still give to childhood, between the illusion of happiness and unstable promise. Kinder Surprise is a wrapped question: what does our present really contain?
I created LARTBATARD, a form of artcycling born from urban collage, to offer contemporary art lovers images that resist simple “scrolling” and invite them to look differently. Using torn posters, printing inks and gestural painting, I develop six families of MadeReady (PhotosReadyMade, MadeReady_Paper, MadeReady_#Paper, MadeReady_Ink#artRevues, MadeReady_PaperInk and MadeReady_DrawInk) which replay the signs of our time and reveal its tensions. My series question identity, the body, migration and the memory of struggles, in a world saturated with images where every face seems replaceable. My works have circulated in galleries, in residences and online, in France and internationally; each piece functions for me as an archaeology of the present, a fragment of humanity to collect before it disappears.
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