Singulart guarantees reliability and traceability.
All the artists on the platform have been specially selected and certify to only sell works, of which they are the artist. Whatever the medium, the work is sent to the buyer with a certificate of authenticity. Photographs are numbered and signed.
Every customer can be given a copy of their certificate of authenticity by contacting support@singulart.com
With Singulart, you can pay safely by credit card or bank transfer.
For all transactions exceeding your credit limit, contact us. We are required to verify every transfer, as part of the fight against fraud and money laundering.
Singulart prices include:
Price of an artwork defined by an artist.
Insurance. Your order is 100% protected in case of any damage or loss.
All customs fees, taxes, and document preparation.
Third-party logistic provider shipping costs.
A dedicated Singulart customer care specialist that will assist you with any questions or problems during shipment.
In 2015, while strolling down Rue de l'Oise in Paris's 19th arrondissement, my gaze fell upon a poster: a woman from Gaza, draped in a black superhero cape, fist raised, smiling at the world. It was for photographer Ovidiu Tataru's exhibition, "Wonder Women," which portrayed women from the Palestinian Territories resisting with joy. It seemed to me that I had to be the conduit for this vision—not through appropriation, but through amplification.… I deconstructed the poster and blended it with a stream of Parisian posters collected from the same period, onto a scrap of fabric prepared with gesso, creating an urban palimpsest where impending tragedy and stubborn hope coexist. The promotional #KISS FOREVER gives way here to SAVAGE, KEEP OUT, barbed wire—but also to the smile, the fist, the #envoeuxtu. LARTBATARD reveals what the saturation of public space erases: the dignity of bodies in resistance.
I created LARTBATARD, a form of artcycling born from urban collage, to offer contemporary art lovers images that resist simple “scrolling” and invite them to look differently. Using torn posters, printing inks and gestural painting, I develop six families of MadeReady (PhotosReadyMade, MadeReady_Paper, MadeReady_#Paper, MadeReady_Ink#artRevues, MadeReady_PaperInk and MadeReady_DrawInk) which replay the signs of our time and reveal its tensions. My series question identity, the body, migration and the memory of struggles, in a world saturated with images where every face seems replaceable. My works have circulated in galleries, in residences and online, in France and internationally; each piece functions for me as an archaeology of the present, a fragment of humanity to collect before it disappears.