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This MadeReady, inspired by a poster of Dylan Doggs' comic strip, discovered in Milan, explores the complex relationship between man and machine, a recurring theme in science fiction. The original poster, featuring an ambiguous character, symbolizes this intrinsic duality. My artistic intervention, through the prism of MadeReady, intensifies this dialogue. The repetition of the # sign, my artistic signature, punctuates the surface of the work, highlighting… the fragmentation of identity in the digital age. The contrast of colors, between the cold blue of technology and the fiery red touch of emotion, accentuates the tension between man and machine. This creation is like a visual enigma, a mirror reflecting our fascination with the future. Man and machine intertwine, suggesting that we might well find a fragment of our own soul in this reflection. This MadeReady invites us to question our place in a constantly changing world.
I created LARTBATARD, a form of artcycling born from urban collage, to offer contemporary art lovers images that resist simple “scrolling” and invite them to look differently. Using torn posters, printing inks and gestural painting, I develop six families of MadeReady (PhotosReadyMade, MadeReady_Paper, MadeReady_#Paper, MadeReady_Ink#artRevues, MadeReady_PaperInk and MadeReady_DrawInk) which replay the signs of our time and reveal its tensions. My series question identity, the body, migration and the memory of struggles, in a world saturated with images where every face seems replaceable. My works have circulated in galleries, in residences and online, in France and internationally; each piece functions for me as an archaeology of the present, a fragment of humanity to collect before it disappears.
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