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"ARE YOU READY?" – I stole it. Well, rescued it. A forgotten reproduction of Basquiat's "Julius Caesar on Gold," found at a flea market in Cologne. A laminated canvas, smooth, almost too perfect. So I took out my red ink – that screaming, bleeding red – and wrote: "ARE YOU READY?"
Because Basquiat, back in 1981, was already talking about falling empires. So today, faced with a world in turmoil, this question isn't an invitation. It's an ultimatum.… I slashed the surface with blue and yellow, like angry graffiti, warnings on a concrete wall. The canvas resists, but the words pierce through. Because art shouldn't just please. It should electrify. This piece is a mirror held up to you. First, you recognize the master. Then you read the question. And suddenly, you're the one in the canvas. Ready to face it?
I created LARTBATARD, a form of artcycling born from urban collage, to offer contemporary art lovers images that resist simple “scrolling” and invite them to look differently. Using torn posters, printing inks and gestural painting, I develop six families of MadeReady (PhotosReadyMade, MadeReady_Paper, MadeReady_#Paper, MadeReady_Ink#artRevues, MadeReady_PaperInk and MadeReady_DrawInk) which replay the signs of our time and reveal its tensions. My series question identity, the body, migration and the memory of struggles, in a world saturated with images where every face seems replaceable. My works have circulated in galleries, in residences and online, in France and internationally; each piece functions for me as an archaeology of the present, a fragment of humanity to collect before it disappears.