Système K
Acrylic, Collage on Paper
49x39in
$1,670
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Kerkhove DomKcollage
France
Related collection
Faceless Presences
15 pieces
Artist highlights
- Featured in gallery curations
- Works on commission
Discover the creation in interiors
Other artworks by Kerkhove DomKcollage
Artwork details
- Medium : Acrylic, Collage on Wood , Wood
- Framing : Framed
- Dimensions : 39.4x39.4in
About this artwork
At the heart of this work is a reproduction of a detail from a Basquiat painting. But here, the pop icon is jostled, diverted: I transform it into an urban palimpsest, superimposing fragments of torn-off posters on top. This is where the act of paperization begins. Then comes hashtaguization, the key gesture of my LARTBATARD language: a graphic, critical veil that questions our way of seeing rather than simply looking.
This collage becomes a place… of tension between memory and current events. I manually introduce visible words, sometimes suggested ones: "migrants," "immigrants"... traces, restrained cries. The dominant blue evokes a bygone era, but also an unstable future, somewhere between melancholy and revolt.
And then this final snub: Paper Plastic. Because the medium isn't paper... but a plastic print. Like an announcement of the end of a tangible world, replaced by the artificial.
This collage becomes a place… of tension between memory and current events. I manually introduce visible words, sometimes suggested ones: "migrants," "immigrants"... traces, restrained cries. The dominant blue evokes a bygone era, but also an unstable future, somewhere between melancholy and revolt.
And then this final snub: Paper Plastic. Because the medium isn't paper... but a plastic print. Like an announcement of the end of a tangible world, replaced by the artificial.
Kerkhove DomKcollage
France
Credentials
- Featured in gallery curations
- Works on commission
I created LARTBATARD, a form of artcycling born from urban collage, to offer contemporary art lovers images that resist simple “scrolling” and invite them to look differently.
Using torn posters, printing inks and gestural painting, I develop six families of MadeReady (PhotosReadyMade, MadeReady_Paper, MadeReady_#Paper, MadeReady_Ink#artRevues, MadeReady_PaperInk and MadeReady_DrawInk) which replay the signs of our time and reveal its tensions.
My series question identity, the body, migration and the memory of struggles, in a world saturated with images where every face seems replaceable.
My works have circulated in galleries, in residences and online, in France and internationally; each piece functions for me as an archaeology of the present, a fragment of humanity to collect before it disappears.
Using torn posters, printing inks and gestural painting, I develop six families of MadeReady (PhotosReadyMade, MadeReady_Paper, MadeReady_#Paper, MadeReady_Ink#artRevues, MadeReady_PaperInk and MadeReady_DrawInk) which replay the signs of our time and reveal its tensions.
My series question identity, the body, migration and the memory of struggles, in a world saturated with images where every face seems replaceable.
My works have circulated in galleries, in residences and online, in France and internationally; each piece functions for me as an archaeology of the present, a fragment of humanity to collect before it disappears.
Kerkhove DomKcollage
Plastic Paper
$2,120
