Singulart guarantees reliability and traceability.
All the artists on the platform have been specially selected and certify to only sell works, of which they are the artist. Whatever the medium, the work is sent to the buyer with a certificate of authenticity. Photographs are numbered and signed.
Every customer can be given a copy of their certificate of authenticity by contacting support@singulart.com
With Singulart, you can pay safely by credit card or bank transfer.
For all transactions exceeding your credit limit, contact us. We are required to verify every transfer, as part of the fight against fraud and money laundering.
Singulart prices include:
Price of an artwork defined by an artist.
Insurance. Your order is 100% protected in case of any damage or loss.
All customs fees, taxes, and document preparation.
Third-party logistic provider shipping costs.
A dedicated Singulart customer care specialist that will assist you with any questions or problems during shipment.
** What We Need Is Education – Part 2 ** embodies my second collaboration with Guaté Mao as part of **LARTBATARD**, where art breaks free from formats to question our social realities. Inspired by his powerful poster *Sunu Gal*, born from a trip to Senegal and Gambia, this **MadeReady_PaperInk** extends my committed series on education, essential to giving every child a real chance on this earth. Here, the cage-like buildings are embedded in the… faces of childhood, symbolizing the social confinement of children from immigrant backgrounds, herded into dehumanized urban areas. But beyond the observation, the work carries an energy of hope: breaking down visible or invisible walls, internal or external, to open up a fairer, kinder, more vibrant future.
The gesture of **PaperInk**, between collage of sampled posters and printing ink, here becomes a language of alert and resilience.
This MadeReady can be seen in my DomKcollage Workshop in Dunkirk.
I created LARTBATARD, a form of artcycling born from urban collage, to offer contemporary art lovers images that resist simple “scrolling” and invite them to look differently. Using torn posters, printing inks and gestural painting, I develop six families of MadeReady (PhotosReadyMade, MadeReady_Paper, MadeReady_#Paper, MadeReady_Ink#artRevues, MadeReady_PaperInk and MadeReady_DrawInk) which replay the signs of our time and reveal its tensions. My series question identity, the body, migration and the memory of struggles, in a world saturated with images where every face seems replaceable. My works have circulated in galleries, in residences and online, in France and internationally; each piece functions for me as an archaeology of the present, a fragment of humanity to collect before it disappears.