Discover the creation in interiors
Other artworks by Luigi Notarnicola
Artwork details
- Medium : Acrylic on Canvas
- Other details : Artwork on supported wooden frame. Artwork framed.
- Dimensions : 40.9x48.8in
About this artwork
Vim
Repeated brushstrokes of acrylic are relentless on the canvas, sowing spots of color.
As the observer moves away, an optimal focus is deduced: the lines thicken, letting the figure emerge.
The fist, in the absence of words, is the most eloquent symbol to express the different facets of vitality: a simple and unmistakable gesture of strength and energy, an emblem of victory, struggle and resistance.
The work underlines the need of man to… use all the energies (the single brushstrokes) he possesses to face the hostilities he is facing.
In this sense, the meaning attributed to the gesture is that of not giving in to negativity and rediscovering a salvific optimism.
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The outside world is hostile, a thousand caresses do not melt the iron of the daggers that pierce us. We need to be stronger than ever.
Repeated brushstrokes of acrylic are relentless on the canvas, sowing spots of color.
As the observer moves away, an optimal focus is deduced: the lines thicken, letting the figure emerge.
The fist, in the absence of words, is the most eloquent symbol to express the different facets of vitality: a simple and unmistakable gesture of strength and energy, an emblem of victory, struggle and resistance.
The work underlines the need of man to… use all the energies (the single brushstrokes) he possesses to face the hostilities he is facing.
In this sense, the meaning attributed to the gesture is that of not giving in to negativity and rediscovering a salvific optimism.
-
The outside world is hostile, a thousand caresses do not melt the iron of the daggers that pierce us. We need to be stronger than ever.
Luigi Notarnicola
Italy
Artist highlights
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Credentials
- Experienced Artist
- Favorited by galleries
- Featured in gallery curations
- Works on commission
« The substance scandalizes me. I make fun of the shape. »
Luigi Notarnicola is an artist based in Italy whose work has been exhibited internationally. His art has been featured in publications such as Artribune, Quotidiano di Puglia, and Itinerari nell'arte.
Notarnicola's works explore the pictorial surface as a dynamic space in which pattern, color, and form interact. The repeated mark is not a decorative element, but a structure that organizes the visual field, introduces rhythm, and constructs the artwork.
Through clear chromatic fields and recurring modules, the surface is activated and becomes a place of balance between order and variation.
Within this process the artist's language takes shape, an essential visual system in which the sign, reiterated and transformed, generates ever new configurations.
The images thus emerge as fields of relation, where figure and abstraction remain in constant dialogue.
Notarnicola's works explore the pictorial surface as a dynamic space in which pattern, color, and form interact. The repeated mark is not a decorative element, but a structure that organizes the visual field, introduces rhythm, and constructs the artwork.
Through clear chromatic fields and recurring modules, the surface is activated and becomes a place of balance between order and variation.
Within this process the artist's language takes shape, an essential visual system in which the sign, reiterated and transformed, generates ever new configurations.
The images thus emerge as fields of relation, where figure and abstraction remain in constant dialogue.