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In "Winter Water, Winter Light," I encounter a lake at a moment of transition: the water is already frozen, but not yet completely solidified. A thin layer of ice absorbs the light, scatters it, and makes the surface appear both clear and fragile. I am fascinated by this oscillation between states—when the surface not only shows what is, but also what could change at any moment.
The winter light lies like a soft flame on the ice. Shadows of the… trees wander across it, as if they continue to live on in the water, while the snow-covered banks silently frame the space. In this stillness, time becomes palpable: as a pause, as breath, as a fragile equilibrium. For me, the image is a study of closeness and distance – of a landscape that opens and closes in the same instant.
Marcel van Beek works with photography, painting, and graphic design, drawing on his artistic background from his studies at the Alanus University of Art and Social Sciences. His technique combines pictorialist influences with romantic-symbolist imagery. His photographs embody contemporary fine art photography and conceptual photography, often featuring monochrome recolors in tertiary colors.
He creates a poetic visual language interested in forms and structures, combining this with a modern, conceptual approach that claims social relevance. In his works, he explores inner and outer landscapes, conveying feelings of longing and threat, as well as a fascination with the hidden. He has published various art publications (most recently "World of Water," 2025), which are represented internationally in academy and museum libraries (including Vienna, Basel, Düsseldorf, and Berlin).