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"Shadow and Light" depicts the church's rift in the abuse scandal through a sculpture of a priest. Two sides symbolize the conflict: the perpetrator side, with children's handprints burned into it, as a silent accusation of the covered-up abuse. The other side, with its hands and feet bound, symbolizes the struggle of dedicated priests who are restricted by protective measures. Light and shadow, shackles and branding marks – the sculpture visualizes… the struggle for change, calling for reckoning, justice, and child protection. It urges society to look and listen to the victims.
Melanie Meyer, a self-taught artist, dedicates her work to the intensive exploration of human experience. Her sculptures and paintings express an emotional journey and focus particularly on the issue of sexual violence against children. Her art gives a voice to those affected worldwide, breaks taboos, demands justice, and serves as a testament to suffering and resilience. Driven by the search for humanity and the exploration of human existence, she creates multifaceted art that touches and inspires reflection. She sees her works as powerful instruments to bring light into an often dark world and to remind us of the inalienable nature of our humanity. She is currently seeking sponsors who share her vision to further develop her exhibition "Because what must not be cannot be," a memorial dedicated to the victims of sexual violence.