Aeonica (sculptural vessel) Natalia Tykhoniuk

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Aeonica (sculptural vessel)

Natalia Tykhoniuk

2025 • Switzerland

11(L) x 12(H) x 11(D)in

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Natalia Tykhoniuk

Switzerland

Related collection

on being dispersed

15 pieces

Artist highlights

Favorited by galleries
Featured in gallery curations
Works on commission

Artwork details

Medium : Acrylic, Paper Without Stand
Dimensions : Length: 11in, Height: 12.2in, Depth: 11in

About this artwork

Aeonica is a contemporary sculptural vessel, shaped not by utility, but by time — a biomorphic relic that feels both ancient and eternal.

Handcrafted from paper clay and layered natural pigments, Aeonica's form spirals with tectonic memory: ridges curve like sediment folded by millennia, while matte mineral surfaces hold the quiet depth of weathered stone. Its palette — earthy grey-browns, soft chalk lines, and sun-bleached edges — evokes bone,… ash, and fossil. There is no symmetry here, only the rhythm of organic logic.

This piece does not declare itself — it reveals. Its silhouette breathes with the motion of growth and erosion, like a seedpod caught between blooming and fossilizing. Each fold invites the eye inward, as if tracing a forgotten language etched into a shell of stillness.

Part of the Terrac Spheria collection, Aeonica embodies the poetics of geological time — the patience of earth, the imperfection of nature, the grace of decay.

Natalia Tykhoniuk

Switzerland

Credentials

Favorited by galleries
Featured in gallery curations
Works on commission

I was born in a city that no longer exists as it was. Mariupol — once sea and sand, now ash and absence. Yet even what disappears leaves its trace. That trace is what I follow.
I live now in Zurich, but my hands still carry the earth of elsewhere. I grind straw, soil, bark, ash into matter that resists beauty. These are not materials chosen—they are what remains.
I am close to Arte Povera, because in the poverty of matter lies genius: the truth that nothing is too small to hold memory. I am close to wabi-sabi, because time itself writes through imperfection, through cracks, through silence.
My vessels and wall pieces are not objects. They are witnesses. Companions of dust and silence. Fragile, yet enduring. They stay when all else is gone.

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Natalia Tykhoniuk

Aeonica (sculptural vessel)

You love this artwork, but it’s already been sold?