Ginger “Early work”
Acrylic on Canvas
31x24in
$2,040
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NIENKE VISSCHER
Netherlands
Related collection
Spiritualités
23 pieces
Artist highlights
- Featured in gallery curations
- Works on commission
Discover the creation in interiors
Other artworks by NIENKE VISSCHER
Artwork details
- Medium : Acrylic, Pigments on Canvas
- Other details : Artwork on supported wooden frame. Ready to hang. Framing on request.
- Dimensions : 27.6x23.6in
About this artwork
Golden Lady is a sculptural portrait rendered in a monochrome golden palette. The work combines imitation gold leaf with high-grade Lascaux metallic pigments on a deep-edge (3D) canvas, creating an architectural and luminous presence.
The piece was conceived during the artist’s stay in Cape Town and directly inspired by a visit to Restaurant GOLD, a space known for its vibrant cultural fusion and rich visual identity. This influence translates… into the stylized portrait, which feels both iconic and contemporary.
The relief surface catches and refracts light throughout the day, enhancing its spatial quality. As such, the work speaks to collectors seeking pieces that bridge symbolism, materiality and modern interior design.
Provenance
Cape Town, South Africa — 2025
Observed portrait series
The piece was conceived during the artist’s stay in Cape Town and directly inspired by a visit to Restaurant GOLD, a space known for its vibrant cultural fusion and rich visual identity. This influence translates… into the stylized portrait, which feels both iconic and contemporary.
The relief surface catches and refracts light throughout the day, enhancing its spatial quality. As such, the work speaks to collectors seeking pieces that bridge symbolism, materiality and modern interior design.
Provenance
Cape Town, South Africa — 2025
Observed portrait series
NIENKE VISSCHER
Netherlands
Credentials
- Featured in gallery curations
- Works on commission
I spent twenty years building a business. Then, in the stillness that followed, I began to paint.
My work is rooted in Christian faith, not as a theme, but as a foundation. I believe that brokenness is not the end of a story. It is where the most honest part begins.
The craquelure in my paintings is not manufactured. It grows. I build up layers until they fracture, organically, unpredictably, and then I paint each crack by hand with Lascaux gold paint. One by one. No two surfaces are ever the same.
Gold is not decoration. It is the light that enters through the broken places.
My work is rooted in Christian faith, not as a theme, but as a foundation. I believe that brokenness is not the end of a story. It is where the most honest part begins.
The craquelure in my paintings is not manufactured. It grows. I build up layers until they fracture, organically, unpredictably, and then I paint each crack by hand with Lascaux gold paint. One by one. No two surfaces are ever the same.
Gold is not decoration. It is the light that enters through the broken places.
NIENKE VISSCHER
Golden Lady — Cape Town Observed
$6,360
